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The Newsletter of
The Council for the Literature of the Fantastic
Volume 1, Number 2 (Winter 1996)
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Others to Act as Our Claws
by
Don Webb
Copyright © 1996,
Don Webb
A Previously Unpublished Short Story by
Don Webb
:
A story just for the CLF,
OTHERS TO ACT AS OUR CLAWS
(for Misha, who told me every writer needs a cat)
It was quite a surprise to me when I realized that
my next-door neighbor was quite mad.
I had always thought that mad people were off in
institutions or on TV talk shows or at the very least on street corners
downtown arguing with their invisible companions. My name is Morton
Abel. I am -- I was a software developer. One of the benefits of my job
was the ability to work at home. I could create my little interactive
fantasies and E-mail them to my hidden bosses in Chicago, Dallas, or
Paris. I could tend my garden and my two cats; drink tea while wearing
my gym shorts; and work way past midnight when inspiration or deadline
bound me. When I'm not actively banging away on my IBM compatible's
keyboard, I watch my cats playing on my patio.
Oscar, a golden neutered male, and Sakmeht, a beautiful black
female (of the finest alley pedigree) played on the shadowed cement near
the birdbath in my backyard. I always envied them. Their life of sleep
and play extending through their own cycles of frisky starlight and
drowsy sun. Their life seemed to be a pure manifestation of play --
something that even the most powerful human couldn't lay claim to. I was
watching Oscar hunting crickets one sunny afternoon when I saw Mrs.
Riddle next door watching him as well.
She had moved into the rental next door. A blue-haired woman,
with a straw hat covered in fading plastic roses, I had figured that she
would take as great delight in my felines as I. But she was watching
Oscar a little too intently and she held a weed clipper. She couldn't
see me since her cornflower blue eyes stayed on the cats. I got the
impression that should my cats climb over my chain-link fence -- they
would be headless cats. Maybe I should meet her and dispel my
cabin-feverish thoughts.
I walked outside and she busied herself snapping off
low-lying branches of her sycamore.
"Good morning," I said.
"Good morning, Mr. Abel. Certainly a lovely day." She
smiled.
We talked and she asked me a lot about my work. As
anyone who works at home, I am used to suspicion from people who equate
being home during the day with criminal activity, but Mrs. Riddle's
remarks seemed hostile to the creative part of my work.
"I suppose," I said, "you'll want to
know where I get my ideas."
"I know where you get your ideas, Mr. Abel," she said
and walked into her house.
A nutcase.
# # #
I didn't exchange words with Mrs. Riddle for a
fortnight. I was picking up the blue 7-lb. bag of OceanFish Flavor
Friskies at Simon David's supermarket when someone laid a hand on my
back. I hate to be touched by strangers (like cats I am aloof). I
straightened up. It was Mrs. Riddle in a green polyester dress a couple
of sizes too large for her.
"I left you with a little gift," she said,
"Have you figured out where you get your ideas?"
"From an idea service in 'Jersey," I said.
"You get them," she said, "from
them ."
" Them ?" I asked, thinking of
giant ants.
"The cat-faced ones."
"You mean my cats?"
"There are no cats. There may have never been
cats."
"Well, very nice to have talked with you, Mrs.
Riddle, but I've got to go home and feed my cat-faced ones."
"Think," she said. "Where do you get
your ideas?"
As I made my way down the aisle of endless soda pop,
I was thinking whether I should call her landlord and tell him he'd
rented the place to a nut.
# # #
The next three days were eighteen-hour days as I
met my deadline for UltherQuest,a text-based game for IBM
compatibles. The questors had to overcome the evil ape-god Opeos in
order to leave the labyrinth and enter the paradisal land of Ulther. I
scarcely had time to eat and feed my cats.
I modemed off the result to my boss, put on some Western swing
music, and opened a beer.
Where did I get my ideas?
I had majored in history and minored in English in
college, which had prepared me to become an assistant manager at B.
Dalton's. I was completely unaffected by ambition. I had friends, but my
big trouble was keeping up my interest in them. Sex and other frolics
occasionally fell in my lap, but I didn't seek them.
Then a little starving kitty turned up on my doorstep. I named
her Sarah Jane, because the local PBS was showing Doctor Who. Sarah Jane
was always getting into things, and she was the inspiration for my first
game, Kitty Quest,in which the player is a kitten seeking out
a jar of Pounce treats.
I sold the game to Stephen Jacobson Games. Stephen
called me in Phoenix and invited me to move to Austin. So thinking that
career had found me, I packed up forty boxes of paperbacks and Sarah
Jane and headed east. I worked for Jacobson for five years and made him
a lot of money. Sarah Jane ran away and I missed her.
So I went down to the Humane Society and got a pure
black female. I named her Sakmeht. I decided to quit Jacobson and went
freelance. The first two years I made money hand over fist with
Rodent Hunter,Temple of Bast,and Feodora's Familiar.
Then I had a dry period and decided I needed something. An affair
with a redheaded state legislator didn't fulfill my needs. She lost the
election and left Oscar with me.
After Oscar came there was another period of creativity. I
created my best-selling Revenge of Puss-in-Boots,which I
licensed to Nintendo.
So maybe Mrs. Riddle was right. Maybe I did get my
ideas from my cats. Well, if that's the case, I'd better take damn good
care of them.
# # #
It was about three in the morning when I heard
the scream. There must have been a scream before the scream that had
created a nightmare landscape of tunnels that I was running through
chased by some gigantic velvet-footed predator. I had to shake the dream
out of my head as I heard the second scream. It sounded like a baby
being lowered into boiling water.
I sprang up and ran to my front room. By the street
light I could see Mrs. Riddle chasing down the chocolate-point Siamese
from down the street. The cat made for the thick juniper bushes in front
of the McPearson's, but Mrs. Riddle lunged and slid like a
little-leaguer stealing second. She grabbed her mewling target and
pulled the light-reflecting shears from a deep pocket of her house
dress. She pruned the scratching and screaming cat's head off with a
single snip.
She had lost her ludicrous garden hat in the
process. She picked up the bloody head with the clippers and nudged it
into the hat. Then she dropped the body in as well, picking up the hat
as a basket. She walked back to her house.
I had meant to confront her, but realizing that I
only wore my underwear -- the picture of almost-naked me dealing with a
woman strong enough to decapitate a cat seemed at best unwise.
I sat up the rest of the night trying to figure out
what to do. Mrs. Riddle seemed to be just someone's dotty old aunt. I
didn't think they would believe me.
I took to keeping my cats indoors, only allowing
them outside when I was along. Mrs. Riddle took to watching me and my
cats through the blinds.
A month passed and I began to doubt what I'd seen.
The weird light reflecting off her clippers, the crystal clarity of the
scene -- perhaps it had been a dream. Then one night I heard another cat
scream. I checked that both of my babies were safe in the utility room.
I decided I would get Mrs. Riddle out of the neighborhood.
I needed evidence. So I began watching her. I was
sufficiently caught up on my deadlines to spend the time, so keeping one
eye on the window and the other on Remembrance of Things Past,
I waited.
On Tuesday and Thursday afternoons, she left her house at 4:30.
She didn't return to near seven. I watched her cream-colored Dodge Dart
pull away, counted fourteen Mississippi's and jumped over the chain link
fence. I had a crowbar and a camera. There was no need for stealth. I
had chosen the neighborhood for quiet (and I knew nobody was around for
at least three houses on each side). Opening her back door with the
crowbar was surprisingly easy -- she had the same kind of wooden door I
did. I realized I should get my door changed so as not to be vulnerable.
I laughed a little at the thought, then gagged violently when
the smell of the house hit me. I guessed I wouldn't have to look far for
evidence. I passed through her utility room and into a normal
old-lady-looking den. TV Guides,doilies on the green couch, a
plaid Lazy-boy recliner, pictures of weddings and children. To the right
lay the back bedroom, which also looked normal. I went through the back
bedroom and beyond into a front bedroom.
She had tacked up uncured cat skins on the walls and
ceiling. Bits of dried blood as well as browning bodies of dead maggots
covered the hardwood floor. The room was bare of furniture save for a
stone block inscribed (in Greek) Ablanathanalba, and a pulpit. I crossed
over to the pulpit, my Reeboks crunching the foul deposits. It held a
hardback book entitled the Revelations of Metratton.
The book lay open and one passage had been heavily
highlighted:
"When Ialdabaoth perceived that Adam and Eve
partook more of the essence of the Mother of Mothers than did he, he
drove them from the Plains of Aden and into the city of Balkh. But the
Spirit of Darkness still questing for his Beloved saw in Eve a
reflection of the Mother of Mothers and took her. He begat upon her
Jave, the bear-faced, and Eloim, the cat-faced, among men and women
called Cain and Abel to this day. He did give Jave the water and the
earth, that by ruling this Chaos he would reflect the Undying stars of
the Pole. He gave Eloim fire and air. Eloim created poetry that he might
live from vessel to vessel undying but changeable in form from verse to
living being to verse. Eloim with his cat's eyes was to report to the
Spirit of Darkness in his quest for the Mother of Mothers. The Spirit of
Darkness returned to his eternal hidden home in the North, and Adam
having learned the secret of procreation from the Spirit, began to bring
forth sons and daughters which looked like men. But the bear-faced ones
and the cat-faced ones are still with us, molding us with their subtle
magics."
I shot pictures of the walls, floor, and altar. I
didn't know what to make of the Revelationsor how it tied in
with Mrs. Riddle's gruesome activity, but I knew she had to be stopped.
I locked the back door when I left. I had to shower
and get the blood and the smell of blood off of my skin. I took the film
to a one-hour developing place. I wandered around the mall while the
film was being made up. I stopped by the game shop and hung around until
I saw someone buy Feodora's Familiar.That made me feel better.
I needed to know that people did stuff for fun. I had to know that not
everybody had a room full of cat skins. There are certain horrors you
should never see -- because you will begin to wonder if every house in
your neighborhood hides some sick soul-eating secret.
I worked back to the photomat and picked up my pictures. The
young Hispanic woman on duty gave me one of the most evil looks I've
ever got. She must've thought that Ihad carved the cats. Well,
she would know otherwise soon. I couldn't imagine the papers not picking
up on the story.
I drove home. I went in by the front door and immediately knew
something was wrong. My cats didn't run up to greet me -- to nudge me
along toward the food bowl with friendly head-butts. I put the pictures
down and started calling them.
I ran into my house and found that the back door was
open. They weren't in the backyard. I vaulted the fence and ran straight
for Mrs. Riddle's door. I shouldered my way in and scrambled/ran across
her den floor.
She had locked the door to the front bedroom, but it
proved no obstacle to my speed and bulk.
She had tied Sakmeht to the stone and held a kris a
few inches above her neck. I ran full tilt into Mrs. Riddle, knocking
her to the floor. She rolled out from under me, stabbing my right arm
with the blade. I thumped her chest as hard as I could and I could hear
ribs snap. She made two raking attacks with the dagger. I pushed myself
up and stomped on the center of her chest. Her eyes rolled up into her
head.
I pulled the dagger from her grip and stabbed her
directly in her heart.
I used the dagger to free Sakmeht and then I collapsed onto the
floor. I realized that I had just destroyed my world. Maybe I could just
get manslaughter -- or maybe they would just lock me up.
Oscar mewed and I saw him working his big white head
from a cloth grocery bag which I hadn't noticed before.
Sakmeht walked over to Mrs. Riddle's corpse and put
her paws over the corpse's eyes. A wave of unfocused light passed over
her body and it sank through the floor.
Sakmeht walked slowly over to me. She very slowly
and very deliberately extended the claws of her right forepaw and sank
them into my right hand.
I saw Mrs. Riddle running through an endless cave
deep within the Earth, chased by a bear-faced man. I knew that her soul
would become food in the endless labyrinth below.
I looked at Sakmeht and asked, "What of me?"
Again my mind was filled with knowledge. I saw the cat-faced ones who
are the Eyes of the Spirit of Darkness. Sometimes they dwell in the
bodies of cats and sometimes they dwell in the spirits of men and women.
They gain their entrance through verse, paintings, stories, games. Read
about magic cats and you become a host to a spirit aeons older than the
Sphinx. The cat-faced ones look out through your eyes ever searching for
the lost beloved of the Spirit of Darkness.
"But what of me?" I asked again.
I felt something stirring in my chest. A kindle of
black kittens poured out of my chest. I knew they were going out into my
games. I knew that I was dying. My cuts had not been fatal, but I was no
longer of any use to the dark muses I had unknowingly served.
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