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English 610 —British Romanticism

Professor
J. Jennifer Jones

Overview
Schedule
Assignments
Student Writing

Contents Selector:

Week 1
September 13

Placing Vision: Romantic Lyric and Landscape

  • Introduction and Course Overview
  • John Donne, "A Validiction: Forbidding Mourning" (online)
  • S.T. Coleridge, "To the River Otter" (online)

Week 2
September 20

Revolution Controversy: The Emergence of English Radicalism

  • John Milton, Paradise Lost, Books I and II
  • Edmund Burke, Reflections on the Revolution in France (Butler)
  • Mary Wollstonecraft, A Vindication of the Rights of Men and A Vindication of the Rights of Women (Butler)
  • Thomas Paine, The Rights of Man and The Age of Reason (Butler)
  • William Godwin, Enquiry Concerning Political Justice (Butler)

Week 3
September 27

"Things as They Are"

  • W. Godwin, "Of History and Romance" (Appendix IV of Caleb Williams)
  • W. Godwin, Caleb Williams
  • W. Godwin, "Original Manuscript Editing" (Appendix I of CW)

Week 4
October 4

The Idea of Locodescription

  • John Denham, "Cooper's Hill" (online)
  • Alexander Pope, "Windsor Forest" (online)
  • William Wordsworth, "An Evening Walk" (Gill)
  • W. Wordsworth, "Salisbury Plain" (Gill)
  • Dorothy Wordsworth, from Grasmere Journals (course packet)
  • Alan Liu, "The Locodescriptive Moment" from Wordsworth: The Sense of History (course packet)

Weeks 5 & 6
October 11 & October 18

Wordsworth and Coleridge: Imagining Landscape (I)

  • W. Wordsworth, "The Ruined Cottage" (Gill)
  • S.T. Coleridge, "This Lime-Tree Bower My Prison" (Jackson)
  • S. T. Coleridge, "Frost at Midnight" (Jackson)
  • W.K. Wimsatt, Jr. "The Structure of Romantic Nature Imagery" (Bloom)
  • Paul de Man, "Intentional Structure of the Romantic Image" (Bloom)

Weeks 7 & 8
October 25 & November 1

Wordsworth and Coleridge: Imagining Landscape (II)

  • By W. Wordsworth (all to be found in Gill)
    • "The Thorn"
    • "Lines Written a Few Miles Above Tintern Abbey"
    • "The Two April Mornings"
    • "A Slumber Did My Spirit Seal"
    • "It is a Beauteous Evening, Calm and Free"
    • "September, 1802"
    • "Ode: Intimations of Immortality"
    • "Elegiac Stanzas"
    • "Preface" to Lyrical Ballads (1802)
  • By S.T. Coleridge (all to be found in Jackson)
    • "The Eolian Harp"
    • "The Rime of the Ancient Mariner"
    • "Kubla Khan"
    • "Dejection: An Ode"
  • M.H. Abrams, "Structure and Style in the Greater Romantic Lyric" (Bloom)
  • Geoffrey H. Hartman, "Wordsworth, Inscriptions, and Romantic Nature Poetry" (Bloom)

Weeks 9 & 10
November 8 & 15

Wordsworth and the Sublime: The Prelude

  • W. Wordsworth, The Two-Part Prelude (1799) (Norton Prelude)
  • W. Wordsworth, The Prelude, Books 4-6, 13 (1805) (Norton Prelude)
  • Longinus, On the Sublime (course packet)
  • Edmund Burke, from Enquiry into the Origin of Our Ideas on the Sublime and the Beautiful (course packet)
  • Immanuel Kant, from The Critique of Judgement (course packet)
  • Geoffrey H. Hartman, "The Romance of Nature and the Negative Way" (Bloom)

Weeks 11 & 12
November 22 & November 29

P.B. Shelley & Lord Byron: Radical Turns

  • William Wordsworth, "Bliss was it in that dawn," The Prelude, Book 10.689.727 (1805) (Norton Prelude)
  • William Wordsworth, "Genius of Burke!" The Prelude, Book 7.512-543 (1850) (Norton Prelude)
  • P.B. Shelley, "To Wordsworth" (Reiman)
  • P.B. Shelley, Alastor; or, The Spirit of Solitude (Reiman)
  • Lord Byron, Don Juan, Cantos I-III (McGann)
  • Lord Byron, Childe Harold’s Pilgrimage, Canto III (McGann)

Weeks 13
December 6

Keats: Radical Turns (II)

  • Letters: (Hirsch)
    – To Benjamin Bailey, 22 November 1817
    – To George and Tom Keats, 21, 27 (?) December 1817
    – To G. H. Reynolds, 3 February 1818
    – To G. H. Reynolds, 3 May 1818
    – To Richard Woodhouse, 27 October 1818
    – To Fanny Brawne, 25 July 1819
    – To P. B. Shelley, 16 August 1820
    – To Charles Brown, 30 November 1820

  • “Ode to a Nightingale” (Hirsch)
  • “Ode to a Grecian Urn” (Hirsch)
  • “The Eve of St. Agnes” (Hirsch)
  • Lamia (Hirsch)

Week 14
December 13
Optional Class


DECEMBER 15

Seminar Papers DUE in my box by 2pm

 

Office & Office Hours
Flagg Road 124
TH 11-noon; 2:15-3:15pm


Location & Time
Flagg Road 105
T 3:30-6:15pm

Required Texts
John Milton. Paradise Lost (Norton)

Marilyn Butler, ed. Burke, Paine, Godwin, and the Revolution Controversy (Cambridge)

William Godwin. Things as They Are; or, The Adventures of Caleb Williams (Penguin)

Stephen Gill, ed. William Wordsworth: A Critical Edition of the Major Works (Oxford)

William Wordsworth. The Prelude: 1799, 1805, 1850 (Norton)

H. J. Jackson, ed. Samuel Taylor Coleridge: A Critical Edition of the Major Works (Oxford)

Donald H. Reiman, ed. Shelley's Poetry and Prose: A Norton Critical Edition (Norton)

Jerome McGann, ed. Lord Byron: The Major Works (Oxford)

Edward Hirsch, ed. Complete Poems and Selected Letters of John Keats (Random House)

Harold Bloom, ed. Romanticism and Consciousness (Norton)

Course Packet (Rhode Island Book Company)

NOTE: With the exceptions of Caleb Williams and the Course Packet, all materials are available through Reserve at the URI library.



Course Requirements
Class Participation (15%)
Seminar Paper (70%)
Class Opening (15%)