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Night Bloom: A Memoir
Appearances: Scenes from a Queer Friendship

Composed in a spirit of poetic reverie, and following a tradition of queer portraiture (e.g., Gertrude Stein’s Three Lives, H.D’s Tribute to Freud, David Plante’s Difficult Women: A Portrait of Three, and Hilton Als’ The Women) and queer theory (especially Michel Foucault, “Friendship as a Way of Life,” and Eve Sedgwick, The Epistemology of the Closet), Appearances: Scenes from a Queer Friendship attempts to enact the forms, literary and relational, made possible by a friendship between a gay man and a lesbian, both of Italian descent. Portions of this manuscript, among Cappello’s most experimental work, appear in American Letters and Commentary and in Quarterly West. “Conjuring,” an excerpt, was cited as a Notable Essay of the Year in Best American Essays 2005 edited by Susan Orlean with series editor Robert Atwan.

A literary hybrid, neither poetry nor, in a strict sense, “prose,” the book is conceived as a “discursive autobiography.” Formally, the book attempts Bach-inspired two-part inventions punctuated by narrative interludes and catalogs, litanies, lists that anticipate rather than “describe” queer intimacy. Given the threat (daily, insistent) to queer conditions of possibility and sensibility, and the stereotype for self-identified gay subjects (especially men) to move between poles of extreme self-display on the one hand, and self-erasure on the other, the book pursues the question of how two queer subjects, a gay man and a lesbian, become visible to each other; how people urge one another into being; and, how we help each other to stay alive. A living history, Appearances is the record of a shared present replete with conflict, ecstasy, and honesty.