University of Rhode Island
Graduate School of Library and Information Studies
LSC 530: Reading Interests of Children
Spring, 2005

Gale Eaton
Telephone: 401-874-4651
E-mail: geaton@mail.uri.edu
Spring 2005 office hours Monday 3-5 or by appointment

Catalog Description

Building, maintaining, evaluating, and promoting collections for children in public libraries and elementary school media centers. Fiction and nonfiction; books emphasized, digital and other resources also discussed.

Topics to be Covered

During the course, students will:

1.   explore and discuss the educational, recreational, developmental, and informational needs of children and the particular needs of those adult library users (parents, teachers, etc.) who support them (GSLIS 9, 10, 11, 20; RIDE 1, 3, 4)*;

2.   consider issues related to children's access to information, confidentiality and intellectual freedom in light of the American Library Association's Code of Ethics and Freedom to Read statement as well as current law (GSLIS 2, 3; RIDE 11);

3.   develop skills in locating, selecting, evaluating, and promoting children's books and related media (GSLIS 4, 16; RIDE 2);

4.   discuss the application of contemporary theories of child development, educational practice, literacy and literary criticism to the evaluation and use of library materials for children (GSLIS 11, 13; RIDE 2, 6, 7);

5.   write a paper on issues in collection development or a plan for collection development in a specific area (GSLIS 4, 8; RIDE 8); and

6.   through oral or online presentations, written reviews and annotations, communicate the knowledge and enjoyment of books and other library materials (GSLIS 6, 8; RIDE 8)

* Numbers in parentheses refer to relevant University of Rhode Island Graduate School of Library and Information Studies Educational Outcomes and Rhode Island Department of Education Beginning Teacher Standards.

The textbook: Children's Literature in the Elementary School (8th ed., by Charlotte S. Huck and Barbara Z. Kiefer) is the recommended text for this course. I chose it because 1) its school orientation should help balance my public library orientation, and 2) it is a valuable reference book.

Charlotte S. Huck et al. Children's Literature in the Elementary School. 8th ed. New York: McGraw-Hill, 2004. 0-07-256281-1

 Assignments

Your grade for the semester will be based on these things:

  1. Participation (20%)
  2. Resource Guide (20%)
  3. Seminar Report (30%)
  4. Portfolio (30%)

If you have an idea you're longing to implement and can't make it fit one of these assignments, let me know; maybe we can negotiate an alternative.

Interpretation of grades: A grade of B on an assignment in this course will mean that you have met the basic requirements for the assignment; your performance would be acceptable on a professional level. A grade of A will mean that your performance is not only acceptable, but distinguished. A grade of C for graduate students indicates failure to perform at an acceptable level for graduate credit. 

Individual assignments will be graded according to rubrics on a scale of 1 (Little Evidence of the Standard) to 5 (Well Above the Standard). 

Q. Why do the rubrics on the assignment pages go only from B-/C+ to A-/B+?

A. The instructor does not expect any of you to score below a B; and to earn an A implies that you go beyond the mechanical attempt to do what the instructor wants and make the assignment your own, distinguishing yourself in ways that may be quite unpredictable but recognizably excellent. 

Resource guides

What is the assignment: To compile a resource guide for one part of the collection that will help your classmates locate materials in a specific medium or subject area within the collection. You will sign up for a topic (see below). If more than one student signs up for the same topic, please work with the instructor to divide the topic meaningfully or select a new one. See sign-up sheet on assignment page.

Who will do it: Individuals or pairs. Let the instructor know if you plan to collaborate with a classmate, and how you plan to divide the responsibility for the resource guide. 

When will it be due: Between February 14 and March 21. The date will depend on the topic of the resource guide; an effort will be made to coordinate resource guides with weekly "lecture" topics. However, it is planned that classmates will have access to the resource guides when carrying out collection development projects. 

How it will be presented: You may choose to submit your guide as a Word document (attachment to e-mail), or to mount it on your own site and send your URL to the instructor. The instructor will make a link to the document or the URL from a "Resource Guides" section of the homepage, so classmates will have access to the material you have compiled.  

What should be in each resource guide:

  • A descriptive title
  • An introduction, outlining the scope and importance of your topic (you are encouraged to cite relevant research here, as well as useful commentary), and explaining the difficulties, challenges, and rewards of collecting in this area
  • An annotated list of a few top resources in that area -- classics and great new titles
  • A guide to reliable sources of reviews, to help the collection management team locate and evaluate worthwhile materials in the area

For instance, if this were Reading Interests of Young Adults (rather than Children) and you were doing a resource guide on graphic novels, you might call it something like "Graphic Novels: From Bad Influences to Visual Literacy Enhancers." Your introduction might outline Frederick Wertheim's campaign against superheroes (culminating in the 1950s), and go on to mention Stephen Krashen's endorsement of comics as a support to literacy in The Power of Reading; this would give you a basis for discussing challenges of collecting in this area (like censorship, and the perception that comics are a waste of time) and also the rewards (like the powerful appeal to teen readers, and the development of sophisticated visual literacy skills). Your annotated list might include serious graphic novels (classics like Maus, great new books like Persepolis) and also exciting and popular series (a few years back it was ElfQuest and The Silver Surfer). Your guide to good review sources for library collectors would surely include journals like VOYA (a.k.a. Voice of Youth Advocates, a great YA resource from Scarecrow Press; http://www.voya.com/) and No Flying, No Tights (http://www.noflyingnotights.com/). Needless to say, this is only a quick synopsis of what might be in a good resource guide. A real one would be much more complete. 

How the resource guide will be graded:

  • Exceeds the standard (B+ or A-): Would be a highly valued collection development resource in the given area. Introduction does more than merely meet the standard -- it may be extremely well written, or may explicate solid research findings in a meaningful way. If there is no existing research on the subject, the writer may have demonstrated unusual ingenuity in mining the literature of other fields (e.g., education) and explaining what we can logically infer from the little that has been established. The annotated list goes beyond the requirement in completeness, selection, and/or good writing style. The guide to reliable review sources is especially good, or, if reliable review sources are virtually impossible to find, the writer has been ingenious in exhausting all avenues of search for them and gives good advice about how a collection developer should manage without them. The organization and visual presentation are clear, accessible, and user friendly. (This does not mean that you are required to add graphics -- but it should be very easy to see where one annotation ends and the next bibliographic entry begins.)
  • Meets the standard (B): Would be a useful collection development resource in the given area. Introduction successfully establishes the scope of the guide, explains the reasons for collecting in the area and the problems associated with the process, and cites authoritative articles or other sources. The annotated list covers both standard titles and good new ones, and is a reasonable length (perhaps around ten or a dozen titles, although this could vary with subject). Full bibliographic information is given. Annotations are well written, informative, and not too long. Useful review sources are located and described.
  • Approaches the standard (B- or below): Would not be a useful tool for any collection developer. The introduction may be vague and perfunctory, trying to meet the requirements without actually saying anything substantive or original. (For instance, the writer may simply say, "It's hard to collect comic books because some people want to censor them, but it's worth it because kids want to read them" -- in effect just echoing the assignment, and not adding any depth or analysis to it.) The annotated list may be very short. Few professional resources may be cited. Bibliographic entries for the children's items and/or the professional resources may be incorrect. Misinformation, or misleading statements, may be included in the guide.

Seminar Reports

What is the assignment: To report to your classmates on a plan for marketing a program or service to meet the information needs of a specific clientele, either in a public library children's room or in a school library program serving K-6. Focus will be on the needs of clients (children, students, parents, teachers, or others who might reasonably use your library); any materials used (books, audiobooks, DVDs, websites, etc.) will be selected for excellence in this service context.

Who will do it: Individuals or pairs. Let the instructor know if you plan to collaborate with a classmate, and how you plan to divide the responsibility for the report. 

When will it be due: Between March 28 and April 18. 

How it will be presented: You may choose to submit your report as a web on your own site (send URL to instructor), or on WebCT as a Word document (attachment to e-mail). The instructor will make a link to the document or the URL from a "Seminar Reports" section of the homepage, so classmates will have access to the material you have compiled.  See below for more details.

Principle objects of the assignment: 

  1. to identify the information needs of a clientele; 
  2. to identify relevant resources for meeting the needs;
  3. to develop a strategy (e.g., a lesson plan for the media center or a program for the public library) linking resources and clientele; 
  4. to develop procedures for assessing the outcomes; and
  5. to share your research and ideas effectively with classmates. 

Content:

The group of clients you identify may be children, or they may be parents, teachers, community leaders, or other children's library stakeholders. Analyze their common information needs carefully, identifying not only the content they need to know but their learning styles, reading ability, and interests. Examples:

  • SLMP: There is a major unit on the tropical rainforest. Has the teacher assigned nonfiction only, or fiction as well? Is the unit limited to social studies, or is it interdisciplinary? 
  • SLMP: New technology in the classrooms has teachers scrambling to adjust. How much time do the teachers have, and what's the most efficient way to help them optimize their use of the new resources?  
  • Public library: Fewer parents are home between 3:00 and 6:00 p.m., so there are more unattended children in the library at that time. What other resources are there for them in the community? What common needs do they have that could be met uniquely by the public library, or by the public library in collaboration with other agencies? 

Once you have thought about your clients and their circumstances, think about what resources they need. Teacher assignments often specify not only the content but the form information for students may take (no more than one encyclopedia; printouts from at least two Internet sites). But what about information for teachers themselves? An imaginative response to this assignment in the past came from Carol Dunbar (now a GSLIS alumna), who noted that teachers underutilized the professional collection, and hypothesized that this was because they had no time. So her strategies to support their professional development involved catching them on the fly, with 

  • a rotating collection of good articles in the teachers' restrooms; 
  • another collection of good articles read aloud by sixth graders, for commuter use; and 
  • a doodle-pad next to the phone for sending notes to the media specialist while on hold. 

Possible topics and strategies are endless: family literacy programs; creative dramatics in science (or history, or...); homework help centers; oral history projects; consumer education for children; children as storytellers; online discussion groups or games. If your imagination flags, check out your reading list, School Library Journal or Booklinks for ideas, or look for books on programming in children's rooms and school media centers. 

Presentation:

Your presentation should be both informative and interesting. The introduction should describe your clients and their information need. Discuss your strategy: what outcomes do you want from your lesson plan, program, or other action? Why do you think the strategy you've chosen will get better results than other possible approaches would? 

You may wish to demonstrate your program -- or at least, write out a detailed scenario for some portion of it. You may have to excerpt it. For instance, if your plan is to do a series of story hours, you can't give us the whole series, but you can summarize one or more stories (or link to online versions) and explain how they fit into your strategy. 

Your conclusion should tell us something about your plans for evaluating the outcomes of your strategy. The more important the outcomes, the harder they will probably be to measure. To be meaningful, however, assessment should be directly linked to desired outcomes. 

You may do this presentation as a web. In it, you should summarize your face-to-face presentation on the main page, and link to sub-pages (or external URLs) for important supplementary materials such as:

  • Census information or research on your client group 
  • Bibliographies of resources for your client group
  • Pathfinders, annotated lists, or other handouts you might use with them
  • Copies or descriptions of any surveys, interview schedules, etc. that you would use in your evaluation
  • Your reference list

If you are unable to create a web, you may do your report as a Word document, with appendices for supplementary materials. 

Making your presentation available via WebCT:

  • Method 1: mount your presentation on your own web site, and send the URL to your instructor. The instructor will create a link to your site.
  • Method 2: send your presentation to the instructor as an e-mail attachment, so that she can mount it on WebCT for you. How well this will work depends partly on the program you use.
    • Word? No problem – except maybe with embedded graphics. 
    • PowerPoint? We’ll need to make a decision: do you want it saved as HTML, so that classmates who don’t have PowerPoint can view your slides, or do you want it left as is, because it will look better to those who can see it? (PowerPoint is not an ideal medium for online presentation – the slides are most effective when accompanied by a good oral presentation. But one ingenious student in the past, Debra Kern, solved that problem by giving us the script for the oral presentation to print out and read while we looked at her slides online.)
    • FrontPage? Before attaching it to your e-mail, use WinZip on the folder that has all your web files in it; maybe they’ll arrive intact. Or, send your web to the instructor on a diskette.
  • Warning: your instructor’s technical expertise is limited. If you use programs with which I am unfamiliar, it may not be possible for me to mount your presentation on WebCT.
  • Warning 2: no e-mail attachment should take over 2 minutes to load on a slow connection. No matter how cool your graphics are, they are more of a problem than an enhancement if they make your file bigger than 500K. There are ways to shrink the size of graphic files.

Grading

Presentations will be graded on content (rationale, 15%; description and/or sample of strategy, 30%; evaluation procedures, 15%) and form (organization, 20%; effectiveness, 20%).

Above the Standard (B+ or A-)

  • Rationale includes clear identification of client group; persuasive and empathetic analysis of their information needs; well-articulated and desirable outcomes
  • Strategy includes identification of appropriate and high-quality resources; and an engaging program, lesson plan or other action adapted to the needs and characteristics of the client group
  • Evaluation plan is linked meaningfully to the desired outcomes and would work without overtaxing the librarian's time and resources
  • Organization of the presentation is logical and appealing, with main ideas highlighted and clear links between them; file size is not excessive, and program used is accessible to classmates
  • Effectiveness: language is used well and vividly, without needless repetition; content is divided effectively among sections; any graphics used are clear, visible, and relevant, enhancing rather than distracting from content

Meets the Standard (B)

  • Rationale includes clear identification of client group; analysis of their information needs; outcomes expected from strategy
  • Strategy includes identification of appropriate resources, and a program, lesson plan or other action adapted to the needs of the client group
  • Evaluation plan is linked to the outcomes desired and specified for the program or service
  • Organization of the presentation is logical and/or appealing; file size is not excessive, and program used is accessible to classmates (without requiring special downloads of new software)
  • Effectiveness is adequate; language is clear and grammatical; content is divided appropriately among sections; any graphics used are clear, visible, and relevant

Approaches the Standard (C+ or B-)

  • Rationale includes identification of client group; analysis of their information needs may be flawed; outcomes expected from the proposed service or program may be unspecified or unrealistic
  • Strategy: program, lesson plan, or other action may not use appropriate resources, or may fail to present resources in a way that will make them accessible and attractive to the client group 
  • Evaluation is included, but may be scanty or unrealistic
  • Organization of the presentation is barely adequate; file size may be excessive; presentation may require viewers to download new software, or may be extremely slow to load
  • Effectiveness may be undermined by excessive length, tiny font, lack of white space, etc. Content may be divided ineffectively among sections; graphics may be too small to see, or may be mere decoration, irrelevant to content. (Example of a strategy likely to be ineffective, from a YA class: A web intended to convert teens to abstinence, relying on rational argument and multiple citations, which printed out to 20 pages of small, single-spaced print.)

Participation

What is the assignment: To participate in class exercises and discussion, both in face-to-face meetings and online.

Who will do it: Everybody.

When will it be due: Weekly. Each week, the instructor will post "lecture" notes, and will open a corresponding discussion topic. Discussion on that topic is due the week it is posted, but the topic will remain open for a second week for the sake of any interesting strands that are started. Older topics will be archived.

Besides the weekly topics, additional topics will be "Announcements" (to tell the class about upcoming events, nifty resources, etc.); "Assignment Information" (where the instructor will try to clarify your questions about this syllabus); and "Coffee Break" (where we can shoot the breeze or go off topic -- sometimes the most useful things you learn in a course are during break).

Discussion in the weekly topics can be based on several things:

  • Children's books: You should try to read several each week (see suggested targets below). You will list these in the reading log section of your portfolio. Within each week's category, select titles recommended by the text book or by professional review sources such as The Horn Book Magazine, School Library Journal, or Bulletin of the Center for Children's Books
  • "Lecture" notes: The instructor will post a "lecture" each week; it will include questions to help begin discussion. You should read children's books throughout the course, and introduce them into the discussion as they become relevant -- tell us what's marvelous about the good ones, for instance, and how we could use them in programs and activities.
  • Classmates' major presentations: Between February 14 and March 21, resource lists are due. Between March 28 and April 18, seminar reports are due. Both should provide additional material for discussion. Also, on April 4, classmates should post their nominations for the class Newbery award. The initial posting may be limited to author and title, or may include details to pique interest and influence classmates' votes. Your best case for the book will be part of your portfolio.
  • Exercises: Everybody will be asked to do exercises that will support the ongoing discussion. Materials to support the exercises will be posted in advance. (For instance, to support the first online exercise, a list of professional review sources and online review sources will be posted.) Your write-ups of these exercises should be included in your final portfolio. Rewrites are encouraged; the class discussion may help you improve your original write-ups.
  • The textbook: Children's Literature in the Elementary School (8th ed., by Charlotte S. Huck and Barbara Z. Kiefer) is the recommended text for this course. I chose it because 1) its school orientation should help balance my public library orientation, and 2) it is a valuable reference book.
  • The reading list: You are not expected to read everything on the list. It is intended as a resource, to supplement the text and support your individual work on major assignments.

How it will be presented: In face-to-face sessions, participation in discussion and/or small group discussions; between face-to-face sessions, participation in the online discussion.

How participation will be graded:

  • Exceeds the standard (B+ or A-):
    • Quantity: Student participates fully and creatively in online and face-to-face activities, and is helpful to fellow members of small groups. Student posts an average of 1.5 substantive messages a week.
    • Quality: Student's posts are insightful and stimulating, introducing new ideas into the discussion. Student's posts are often based on thoughtful reading of children's books, and sometimes even on children's literature criticism and/or research on education, reading, and librarianship.
    • Civility: Posts are courteous and constructive. Disagreement with a classmate's viewpoint is tactfully phrased -- "have you considered this angle?" or "what if you looked at it this way?" rather than "I can't believe you said something so stupid." Student recognizes implications of classmates' good ideas and builds on them. 
  • Meets the standard (B):
    • Quantity: Student participates in online exercises in a timely fashion, and in face-to-face activities (unless there is an excused absence). Student posts an average of one substantive message a week to the online discussion. Student does not achieve this average by skipping five weeks and then deluging the discussion with twelve messages in a day.
    • Quality: Posts are on topic, contributing to classmates' knowledge and understanding -- but are not too long. (A single double-sided page of a term paper, with reasonable font size and margins, should have about 250 words. Do you think 100 to 125 words would be a reasonable maximum for posts, on the average?)
    • Civility: Posts are courteous; no flaming.
  • Approaches the standard (B- or below):
    • Quantity: Student posts an average of less than one message to each week's online discussion, and/or has multiple unexcused absences from face-to-face sessions. Student tries to make up for prolonged failure to participate by flooding the discussion with multiple posts near the end of the semester. Student fails to participate in small group exercises, making it more difficult for classmates.
    • Quality: Student's posts are often off-topic, or too shallow or trivial to contribute much to the discussion; they may be based more on life experience than current reading. Student's posts are often too short and cryptic (a line or two, referring to somebody else's post which readers then have to look up in order to understand what's meant) or too long and rambling (a two- or three-page printout).
    • Civility: Posts are less than courteous; disagreement may be tactless and edgy, coming uncomfortably close to criticism of a classmate's intelligence rather than a specific idea.

Portfolio

What is the assignment: To record your semester's activities and achievements in this course. Your portfolio will include at a minimum the things listed in the "exercise" column of the :

  1. Title page
  2. Table of contents
  3. Your amended reports of participation exercises:
    • At least one of the January 31 exercises (comparison of print and online reviews, or critique of a collection development policy for a public library children's room or an elementary or middle school library media center)
    • At least one of the February 28 and March 7 exercises (pathfinder, annotated list, or reference practice)
    • The script for book-talking at least one book, or a Newbery nomination, using the ALSC Newbery Award Terms and Criteria (except for date and place of publication) and making a strong case for why your choice is the most distinguished LSC 530 book of the year 
  4. A log of children's books and other media you have read, viewed, listened to, examined, and evaluated for this course. If you have read the material required to support discussion (see the participation calendar), it will come to approximately 40 items and will represent a balance of fiction, nonfiction, and picturebooks. Books read for your resource guide and/or seminar report may add more items to the list. Organize the log by the "Children's Books & Media" column in the participation calendar: e.g., elective books Jan 31, folk tales & myths Feb 7, etc. Minimum entry for each item should include author, title, publisher, date, and recommendation source. (Your selection source could be a friend, a kid, or shelf availability -- but most of the books available on shelf at any given time are not the best ones. You are encouraged to use the textbook and current selection tools in order to increase your familiarity with those tools and also improve your chances of reading great stuff.) 

You may include additional relevant material at your discretion. For instance, you could reflect on more than the required number of exercises; you could develop your own collection development policy; you could critique articles on children's literature and reading; you could annotate some or all items in your log; you could write reflective introductions to each section in your portfolio, and/or a concluding essay analyzing how it all fits together.

When will it be due: By May 2 at the latest; but April 18 or 25 submissions will be gladly accepted and, if possible, returned early. Many items in the portfolio will be due throughout the semester in more casual form -- usually as part of the discussion. It is hoped that you will use feedback on earlier versions to improve what goes into the portfolio.

How it will be presented: Your portfolio may be submitted in hard copy or as an e-mail attachment; or you may mount it on your own site and give the instructor your URL.

  • If it is in hard copy: please make it as light-weight as possible, and arrange for its return to you (do you want it left in your box in the Resource Room, or, if it doesn't fit, on a counter there? do you want to provide a stamped, self-addressed envelope or box for it?) The instructor cannot promise to return early portfolios at the final class session, but will make an effort to do so. 
  • If you submit your portfolio as an e-mail attachment, please 1) compile all the parts of it into a single file -- not a group of two, three, or eight files that the instructor must download individually; and 2) give it a filename that includes your own surname, like "OnassisJPortfolio." 

How the portfolio will be graded:

  • Exceeds the standard (B+ or A-)
    • Quantity: Includes all required items, and may include additional relevant material as well. May include more than the required number of books and other log items.
    • Quality: layout (title page, contents, arrangement of items, format) clear and attractive; grammar and spelling excellent. Log items are almost all chosen from either the text or a standard selection aid (e.g., The Horn Book Magazine or School Library Journal); any enhancements to the log (e.g., annotations, age levels, notes of thematic relevance for booklists or teaching units) are useful and well written. Writing on all sections appropriate to its purpose (e.g., Newbery nomination addresses ALSC terms and criteria effectively and makes a strong case that the book is truly distinguished). Anything added to the portfolio (e.g., essay, article critiques) is appropriate, thoughtful, and effective in meeting one or more of the course objectives.
  • Meets the standard (B)
    • Quantity: includes title page, table of contents, accounts based on at least three exercises, and a log listing all required items: Wind in the Willows, Charlotte's Web, and Witness or an approved alternative, and all other items in order by week due
    • Quality: layout (title page, contents, arrangement of items, format) clear; grammar and spelling good; selection sources given for items on log, and almost all are chosen from either the text or a standard selection aid (e.g., The Horn Book Magazine or School Library Journal); writing on all sections appropriate to its purpose (e.g., Newbery nomination addresses ALSC terms and criteria)
  • Approaches the standard (B- or below):
    • Quantity: may lack required items; log may be shorter than 40 items
    • Quality: layout (title page, contents, arrangement of items, format) may be difficult to follow; grammar and spelling may be flawed; no selection sources may be given for items on log, or most may be chosen by word of mouth or shelf availability; discussion of exercises may be mechanical, not showing understanding of or appreciation for their purpose; writing or approach may be inappropriate (e.g., Newbery nomination may claim that nominated title is distinguished because of the moral lesson it teaches or its potential popularity with readers, or for some other reason explicitly ruled out by the terms of the award).

 

 

                   Spring 2005 Calendar                 

Kingston (K): Mondays, 6:30 - 9:15, January 24; February 7 (weather permitting) or 14 (if we need a snow date); March 21; April 11; May 9. These sessions will be held face-to-face in Rodman Hall. 
WebCT (O, for online): Weeks of January 31; February 7 or 14; February 21 and 28; March 7 and 28; April 4, 18, and 25 
NB: This course meets the week of February 21 (President's Day), and therefore ends on May 2 instead of May 9. It does not meet the week of March 14 (URI spring break). Any student requesting a change to the calendar should do so by January 24 at the latest. No change will be made to the calendar without consent of a clear majority of students in the course -- and of URI Enrollment Services. If
Kingston meetings must be cancelled because of weather or other emergency, content requiring face-to-face demonstration may be shuffled.

Attendance policy: Meetings have been scheduled for the sake of establishing class community and working with material (like storytelling and picture books) that doesn't translate so easily into an online course. It is expected that students will make every reasonable effort to attend. Active participation in class discussion and exercises will raise the participation grade. It is recognized that attendance will not always be possible, and that a student may be forced to miss one or more sessions; a single absence, or an excused absence, will not lower the participation grade. Some content will be available online; there will be no individual make-up sessions. 

Dates

Loc

Topics

Readings & Assignments

Jan 24

K

Introduction: Censorship, didacticism, and what's suitable

Have your picture taken, or bring a photo you'd like scanned for the class gallery
Select time & topic for your resource guide

Jan 31




O




Collection development and materials selection
Skill: Finding and using reviews



Exercise: Compare print & online reviews
Exercise: Critique a collection development policy
Preliminary report on one of these exercises due by Feb 7 in discussion
More info will appear in instructor's lecture notes

Feb 7

K

Folk tales and myths
Multiculturalism and the 4 F trap
Skill: Storytelling (or, in case of snow, annotated lists)
Theory: Language acquisition; story grammars

 

Feb 14
(snow date)

K
or
O

Picture books: Criteria for selection
Story picture books
Picture books for older children; comic books
Skill: Writing annotated booklists (or, if used as snow date, storytelling)

Assignment: Resource guide (Feb 14-Mar 21)
Exercise: Annotation exercise; worksheet will be given in instructor's lecture notes; preliminary report by Feb 21 in discussion

Feb 21

O

Picture books for young children: ABCs, 123s, and concept books
Parents' collections
Theory: Early childhood development

 

Feb 28

O

Nonfiction: Criteria for selection
Expository nonfiction: Science and how-to books
Teachers' collections and resource lists
Theory: Constructivist learning

Exercise: Pathfinder or annotated list (select this or March 7 exercise)

Mar 7

O

Reference services to children: Question-answering, readers' advisory, and instruction
Online curriculum resources
Skill: Pathfinder

Exercise: Reference practice questions (select this or Feb 28 exercise)

Mar 14

 

Spring break

 

Mar 21

K

Narrative nonfiction: Biographies and social studies
Aside: The Well-Dressed Role Model: Portrayal of Women in Juvenile Biographies
Skill: Booktalking

In class: Be prepared with a 2-minute booktalk of your favorite book so far

Mar 28

O

Fiction: Criteria for selection
Classics and children's book awards
Discussion: Wind in the Willows and Charlotte's Web

Assignment: online seminar reports due March 28 - April 18

Apr 4

O

Fiction for emergent readers; series books
Theory: Emergent literacy and development

Newbery nominations: post titles

Apr 11


K


Realistic fiction: Contemporary and historical
Skill: Book discussion groups

In class: Be prepared with discussion-starting questions about Witness (Karen Hesse), Bat 6 (Virginia Euwer Wolff), or a title cleared with instructor

Apr 18

O

Fantasy: The geography of magic
Theory: Literary convention

 

Apr 25

O

Poetry, music, and popular culture

Early portfolios will be returned on May 2 if possible

May 2

K

The LSC 530 Newbery Free-for-All
Skill: Literary analysis and persuasion

Assignment: portfolio