{"id":105400,"date":"2025-11-20T15:27:26","date_gmt":"2025-11-20T15:27:26","guid":{"rendered":"https:\/\/www.uri.edu\/news\/?p=105400"},"modified":"2025-11-25T14:38:23","modified_gmt":"2025-11-25T14:38:23","slug":"can-theatre-performance-skills-can-help-teachers-in-the-classroom-uri-researchers-weigh-in","status":"publish","type":"post","link":"https:\/\/www.uri.edu\/news\/2025\/11\/can-theatre-performance-skills-can-help-teachers-in-the-classroom-uri-researchers-weigh-in\/","title":{"rendered":"Can theatre performance skills help teachers in the classroom? URI researchers weigh in"},"content":{"rendered":"\n

KINGSTON, R.I. \u2013 Nov. 20, 2025 \u2013 Most people can recall a favorite class or teacher who left an indelible mark on their lives. While subject matter plays a role, the deeper connection often stems from how that teacher made students feel.<\/p>\n\n\n\n

Fictional characters such as Mr. Miyagi in The Karate Kid<\/em> or John Keating in Dead Poets Society<\/em> have inspired generations of teachers with their seemingly effortless, unconventional approaches to learning.<\/p>\n\n\n\n

Teaching, however, is far from effortless. Meticulous planning is required to deliver lectures with confidence and clarity, while managing a room containing anywhere from 30 to 200 different personalities. <\/p>\n\n\n

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One of the authors is Mehmet Yalcin, an associate professor of supply chain management in the University of Rhode Island\u2019s College of Business. (URI)<\/figcaption><\/figure>\n<\/div>\n\n\n

\u201cIn the classroom you’re up on a stage, and students are looking at you waiting for you to do something,\u201d says Mehmet Yalcin, an associate professor of supply chain management in the University of Rhode Island\u2019s College of Business.<\/p>\n\n\n\n

As any teacher will attest, the classroom shares a striking similarity with the big stage. The performative nature of teaching, especially when it comes to presence and delivery, can shape learning experiences as much as the content itself.<\/p>\n\n\n\n

Viewing the classroom as a stage and teaching as a form of performance served as the foundation for a paper co-authored by several URI faculty members, including Yalcin and fellow College of Business Associate Professor of Accounting Anis Triki. Their paper, published in the Journal on Excellence in College Teaching<\/em><\/a>, <\/em>looks at the relationship between theatre skills and those assuming new teaching roles. <\/p>\n\n\n

\n
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Another author is Anis Triki, an associate professor of accounting in the University of Rhode Island\u2019s College of Business. (URI)<\/figcaption><\/figure>\n<\/div>\n\n\n

\u201cI took an acting course with our Theatre Department,\u201d said Yalcin. \u201cIn fact, I had written a proposal about getting folks trained because I trained myself during my Ph.D. years to become a better instructor.\u201d<\/p>\n\n\n\n

As part of the initiative<\/a> that led to this research project, a multidisciplinary team collaborated to explore graduate students\u2019 experiences in the classroom. The project team consisted of colleagues Rachel Walsh and Max Ponticelli from the Theater Department; Anna Santucci, from the Office for the Advancement of Teaching & Learning, Rabia Hos and Stefanie Argus from the College of Education; and Triki and Yalcin from the College of Business.<\/p>\n\n\n\n

The team hosted a workshop introducing graduate teaching assistants to theatre-based strategies. With the lead of Hos, the project team surveyed and interviewed graduate students about their confidence and preparedness before they stepped into the classroom.<\/p>\n\n\n\n

In the authors\u2019 findings, many graduate teaching assistants reported feeling unprepared, citing challenges in classroom management, content delivery and even language barriers. The assistants felt they needed training on managing a classroom. Their remarks reflected the abrupt transition from student to teacher that many graduate assistants face. Nearly a third felt they needed some form of professional development. One respondent expressed concern their anxiety would impact students\u2019 ability to learn.<\/p>\n\n\n\n

\u201cWhat we saw was a lot of students felt a need to be better prepared in the classroom,\u201d said Triki. \u201cIt\u2019s like you’re a TA, and then you’re all of a sudden pushed into a student facing role.\u201d<\/p>\n\n\n\n

Yalcin says that theatrical techniques can enhance classroom engagement and instructor confidence. And the research bears that out. <\/p>\n\n\n\n

Based on surveys following the workshop, students expressed a greater level of security in their ability. The authors\u2019 research suggests that even brief exposure to performance-based techniques can significantly boost self-assurance.<\/p>\n\n\n\n

The workshop primarily centered on incorporating essential theatre performance skills to create better instructors. This included adlibbing, a skill essential in adapting to unpredictable classroom environments, as well as leadership skills to command a room when necessary. Students who applied some of these theatre performance skills therefore felt significantly more confident in their teaching ability to \u201cperform\u201d on stage in the classroom.<\/p>\n\n\n\n

\u201cUsing a loud voice so that the back row can hear or using gestures in thoughtful way are the skills that you\u2019re gaining at the end of the day,\u201d said Yalcin.<\/p>\n\n\n\n

Building on insights gained through the research, the College of Business and the Harrington School of Communication and Media have begun integrating theatre modules into graduate-level teaching practicums. The next phase of research will examine the financial implications of implementing theatre training programs for graduate assistants preparing to teach.<\/p>\n","protected":false},"excerpt":{"rendered":"

KINGSTON, R.I. \u2013 Nov. 20, 2025 \u2013 Most people can recall a favorite class or teacher who left an indelible mark on their lives. While subject matter plays a role, the deeper connection often stems from how that teacher made students feel. Fictional characters such as Mr. Miyagi in The Karate Kid or John Keating […]<\/p>\n","protected":false},"author":25,"featured_media":105401,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[2],"tags":[12,88,30,1905],"class_list":["post-105400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives","tag-college-of-arts-and-sciences","tag-college-of-business","tag-college-of-education","tag-research"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/105400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/comments?post=105400"}],"version-history":[{"count":5,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/105400\/revisions"}],"predecessor-version":[{"id":105489,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/105400\/revisions\/105489"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/media\/105401"}],"wp:attachment":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/media?parent=105400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/categories?post=105400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/tags?post=105400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}